Amelia Warner
Neo-classical composer Amelia Warner is known for her work on ‘Mary Shelley,’ ‘Wild Mountain Thyme,’ ‘Mr. Malcom’s List,’ and the upcoming Jerry Bruckheimer produced film ‘Young Woman and the Sea,’ starring Daisy Ridley.
Her stunning orchestral scores infused with electronic elements have led to several awards, including Breakthrough Composer of The Year’ at the International Film Music Critics Association (IFMCA) Awards, and nominations in the ‘Discovery of the Year’ category at the World Soundtrack Awards, a Hollywood Music in Media Award, and recognition as a nominee for the ASCAP Composers’ Choice Awards.
Soundtrackscoresandmore.com
“Warner is adept at creating timeless sounding scores for films with expansive stories and for this historical drama, she balances gravitas and grandeur with playful, energetic cues.”
The Young Folks – Allyson Johnson
“Elevated by a score that bursts from the screen, engulfing the viewers into a cocoon of atmospheric bliss.” “From the score by Amelia Warner that pitches itself to the grassy hills and cloudy skies, a score that matches the emotional volatility of its characters…”
Movie-wave.net – James Southall
“There’s a lovely, lilting main theme introduced in “Welcome to Ireland” with swooning strings complete with Gaelic accompaniment; bittersweet comedy in tracks like “Cemetery”; the occasional Irish jig (including one by Brian Byrne, “Shanley’s Delight”, which is quite delightful); more urgent drama as the romance is threatened in “The Phone Call” and “Open the Shutters”; and the inevitable sweeping finale, “The End”. It’s all very pleasant and very easy to listen to.”
New York Times – Amy Nicholson
“The score, by Amelia Warner, announces when to titter and when to swoon. In its cleverest flourish, it accompanies the ladies’ marital campaigns with a rollicking military march.”
Flickering Myth – Tom Beasley
“It is stunning to look at, with the costumes and sets absolutely on point, aided by Amelia Warner’s lush score”
Goseetalk.com – Marc Ciafardini
“Warner dug deep and pulled out a sweeping romantic composition that feels like Pride and Prejudice by way of The Lord of the Rings. It’s lush, authentic, and uplifting. All that for a romantic comedy no less.”