Amelia Warner
Neo-classical composer Amelia Warner is known for her work on ‘Mary Shelley,’ ‘Wild Mountain Thyme,’ ‘Mr. Malcom’s List,’ and the upcoming Jerry Bruckheimer produced film ‘Young Woman and the Sea,’ starring Daisy Ridley.
Her stunning orchestral scores infused with electronic elements have led to several awards, including Breakthrough Composer of The Year’ at the International Film Music Critics Association (IFMCA) Awards, and nominations in the ‘Discovery of the Year’ category at the World Soundtrack Awards, a Hollywood Music in Media Award, and recognition as a nominee for the ASCAP Composers’ Choice Awards.
Movie Music UK – Jonathan Broxton
“The opening “Overture” is an absolute delight, opening with a forceful and strident piece full of drive and purposeful movement; I especially love the fluttering, twittering woodwind accents that dart all around the piece, giving it a playful and elegant sound.”
Flickering Myth – Tom Beasley
“It is stunning to look at, with the costumes and sets absolutely on point, aided by Amelia Warner’s lush score”
Sci-fi-online.com – Ty Power
“The score is melancholy and soothingly takes you to another place, attempting to tug at the heart strings all along the way. It comfortably puts you in another time.”
Comingsoon.net – Jeff Ames
“Amelia Warner’s Wild Mountain Thyme ranks among the best scores of the year. Seriously, if you haven’t listened to the soundtrack, pick it up at the link below. It’s a truly majestic blend of luscious themes and Irish influences that works wonders for John Patrick Shanley’s quirky comedy-drama.”
The Young Folks – Allyson Johnson
“Elevated by a score that bursts from the screen, engulfing the viewers into a cocoon of atmospheric bliss.” “From the score by Amelia Warner that pitches itself to the grassy hills and cloudy skies, a score that matches the emotional volatility of its characters…”
Selig Film News – Gadi Elkon
“The sweet score by composer Amelia Warner is another treat as it weaves into sorrowful moments just as smoothly. She helps capture the old world feel of John Patrick Shanley’s mind.”